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Leonard Maltin interviews famed movie sound creator for Maltin on Movies: Ben Burtt.įour-time Oscar winner Ben Burtt has crafted and created sounds we all know-from the heavy-breathing of Darth Vader to the pops and squeaks of R2D2, not to mention the voices of WALL-E and E.T. Not only on the bullet points of what happens, but the reasoning of WHY for each element…. From there, I would have to re-read through the novel, to make sure every dialogue and narrative passage incorporated the change.īecause of this, I would highly suggest having a solid grasp of your plot. Because something about the plot changed, I would often have to go and rewrite multiple other passages that referenced the plot point I changed. Even minor changes were incredibly time consuming. I then either had to clarify the reasoning, or I had to change the characters’ journey to follow a different route. For instance, if characters went from A to B, the reasoning would sometimes be unclear, or there would be a more sensible option sitting right in my face. In Northfield, a large portion of my time into editing went into fixing logical inconsistencies and continuity errors. If they need changes down the line, they can be significantly more time-consuming to fix later on. On the flipside of the coin, there are a few story elements that are important to get right in your first draft. Last week, I went over some elements of your draft that are easy to fix up in subsequent drafts as a result, it is often more beneficial to just get words on the page for these elements, instead of fretting about them and letting them slow your progress down. Calvin Fisher agrees that in generally just getting words down is the way to draft – but he says there are exceptions: “First Drafts – What is Important to Nail”. It’s a “people are building sets and going over their lines” announcement. The long and short of it is that this isn’t a normal “hey this thing got optioned” announcement. I’ve watched others go through development hell over the years and knew how easily the wheels can come off. … But I kept my expectations low the entire time. The folks at Fox produced two excellent scripts and attached a few directors, and we nearly crested the hill once or twice. I was right, but it wasn’t for lack of trying. I wrote a Twitter thread about this recently. I didn’t take the film deal seriously, because I knew that these projects don’t actually get made. Back then, all I wanted was to support myself with my art, rather than doing it on the side. It was going to be a better use of my time to write more stories. Not because I was fielding calls from legends of cinema, but I was starting to earn more from my book sales than I was from selling other people’s books. It was around this time that I put in my two-weeks notice. It started back when I was still working in a bookstore, watching my sales take off, and I had to violate my boss’s policy of having cell phones at our desk because I was expecting a call from Ridley Scott and Steve Zaillian. But the road to adapting the trilogy for the screen has been just as wild and twisty. I’ve written about the origin of the WOOL novels in the past, so I won’t bore you with that.

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WOOL is coming to Apple TV in partnership with AMC. In fact, the news seems to be everywhere ( Variety, Deadline, Hollywood Reporter, Tor, Collider). Hugh Howey tells how “The WOOL TV show” finally made it over the event horizon. We discussed how they made peace with the heat death of the universe, the way their favorite endings also feel like beginnings, the false assumption things will always get better, how their award-nominated novella started out as a screenplay, their trouble with titles and fascination with trees, the many pleasures of ambiguity, how we almost lost them to mortuary science, why they’ve been called a verbal terrorist, and much more. Their YA horror debut, Burned and Buried, will be published by Holt Young Readers in 2022.

Their fiction has been published in Tordotcom, Fireside, Nightmare, Daily Science Fiction, and other places. Their 2019 story collection Homesick won the Dzanc Short Fiction Collection Prize, was a finalist for the World Fantasy and Shirley Jackson awards, and was chosen as one of the top 10 books on the ALA’s Over the Rainbow Reading List. Its sequel, Defekt, was released last month. Nino Cipri is on both the Nebula and Hugo Awards ballots for their novella Finna.